Greca Pre-Columbian.
Nazca Culture 200 BC to 600 AD Museo Amano, Lima, Perú
The Votive Circle is a collective sculpture that as of 2003 develops itself in different places, with the participation of several artists in the spaces in which it is being taken to.
It presents the possibility of the ludic issue as a healing element in a fragmented and lacking society.
Círculo Votivo I
Hacienda Santa Rosa, Villa, Lima, Perú
CIRCULO VOTIVO I
2003
Sculpture, developed in different places that requires the participation of different artists
CIRCULO VOTIVO I
2003
Cardbord and ink
CIRCULO VOTIVO I
2003
Cardbord and ink
CIRCULO VOTIVO I
It seeks to be a space where each one is represented and, in a chain of interrelations, the dialogue is achieved. A space where the participants manage a kind of mandala.
Mandalic figures are universal because their concentric shapes suggest per-fection. The eternal return of the cycles of nature (euróboros).
Círculo Votivo II
Gallery of the Catholic University, Quito, Ecuador
CIRCULO VOTIVO II
2003
Sculpture, developed in different places that requires the participation of different artists
CIRCULO VOTIVO II
Quito, Ecuador
CIRCULO VOTIVO II
Quito, Ecuador
A ritual where the profane space becomes sacred, and at the same time the expression of collective behavior.
The Votive Circle seeks, with the form of the ritual, to articulate a space for play, symbol, party. And in that conjunction prefigure a new learning of the social agreement. The true art of life.
Círculo Votivo III
Inca Garcilaso de la Vega Gallery, Lima, Peru
CIRCULO VOTIVO III
Sculpture, developed in different places that requires the participation of different artists
CIRCULO VOTIVO III
Lima, Perú
CIRCULO VOTIVO III
Sculpture, developed in different places that requires the participation of different artists
Videos
Círculo Votivo I y II
Círculo Votivo III
Círculo Votivo PALAIS DES NATIONS GENÈVE
